Archive for November, 2008


Posted in Life, The Popular on November 26, 2008 by Adam Sapiro


OK, how come:

  • Vic Mackey has a new job and I don’t?
  • Blockbuster still exists?question
  • I have to keep hearing about Britney Spears’ comeback EVERY OTHER FUCKING YEAR?
  • I already have Obama fatigue? Really, I only have so much hope.
  • Black Friday gets more attention than Thanksgiving?
  • People invite me to be facebook friends, and then don’t respond when I send them a message?
  • Bush gets to pardon anyone?
  • I’m the only one who remembers “Saved By Zero” was a Fixx song?
  • Mormons don’t consider polygamy to be same-sex marriage?
  • The Beatles and iTunes can’t work it out if all you need is love?


Posted in The Popular with tags , , on November 25, 2008 by Adam Sapiro


I LOVE television. It just doesn’t love me back.

Over the past few years, it’s become clear that TV programmers don’t really care about guys like me, guys in their 40s who get to choose what they watch, rather than pretend to enjoy whatever their wives are watching. The only eyeballs network execs seem to worry about today belong to teenagers and middle-aged women.

vicAnd tonight, I’m losing yet another one of the few shows I love: “The Shield” is ending its amazing seven-season run on FX, and I’ll be watching it live (the last time I actually watched a live TV show was the Sopranos’ finale in June 2007). I can’t wait to see what happens to Vic Mackey and the pathetic remains of the Strike Team (and Lloyd the Teen Serial Killer-To-Be better not touch Dutch).

So now three of my favorite shows of the decade have ended: “The Wire,” “The Sopranos” and “The Shield.” And what’s on the horizon to fill the void? “Rosie Live”!! Yep, Rosie O’Donnell hosts a variety show Wednesday, one night after “The Shield” finale, and NBC is considering turning the special into a series. Where’s a dirty cop when you need him?

Ruby Washington/The New York Times

And Rosie’s just the tip of the iceberg (albeit a pretty big tip.) Take CBS. The network hasn’t aired one show that appeals to me in a long time. I don’t give a shit about crime scene investigators or naval criminal investigators or ghost whisperers or cold cases or numb3rs or criminal minds or mentalists.

ABC and NBC and Fox and that CW one aren’t much better. I don’t care about “Law and Order,” so a third of NBC’s lineup is irrelevant to me. “Grey’s Anatomy” makes me ill (ironically), “Chuck” and “Reaper” cancel each other out, and I can’t even imagine spending a minute with gossip girls or desperate housewives.

Some shows do try to appeal to a 43-year-old guy, but they don’t deliver. I watched the first season of “Heroes” on HD DVD (another guy thing) and thought it was a convoluted mess without any focus or point. And that was the good season. I enjoyed the first season of “Prison Break” but didn’t care enough about these people to follow them once they prison broke. I couldn’t even make it to the end of the pilot of “House.” I still watch “24,” but only to keep my eye-rolling muscles in shape. I’ll admit to enjoying “Smallville” and “Supernatural” but they’re geared for people half — or even a third — my age. “How I Met Your Mother” is nowhere near as cool as it thinks it is. “The Big Bang Theory” is mildly amusing, even though that breakout nerd seems to think he’s Lilith from “Cheers.” And I have no use for “Life on Mars” — I liked the original British series and can’t imagine it’s any better with Harvey Keitel.

I stopped watching reality shows about 200 reality shows ago. I know way too much about “American Idol” without ever having seen the show. I don’t care how much money is in that suitcase. And watching celebrities dance is my idea of hell.

So what does that leave me with, other than a lot of space on my DVR? Well, “The Office” and “30 Rock,” the two funniest shows on TV right now; “Rescue Me,” which got a bit too repetitive last season but still entertains; and “Lost,” an exasperating show I gave up on a couple years ago, only to come back just in time to watch it hit its creative highpoint (seasons 3 and 4). And that’s pretty much it. (And “Lost” and “Rescue Me” don’t even return until next year.) I’m not even holding out much hope for Joss Whedon’s upcoming show “Dollhouse,” which seems doomed to the same Friday-night fate as his “Firefly.”

What it all boils down to is that the shows I love aren’t like anything else on TV. “Buffy,” “Arrested Development,” “The Wire,” “The Sopranos,” “The Shield” — they were all unique. And TV programmers aren’t big on unique. Not when they can get another hit just by sticking the letters C, S and I into a title.

So whether or not Vic Mackey dies tonight, I’ll be sad. Because another original is gone, another show for guys like me is over, and millions of people are perfectly happy watching Rosie O’Donnell introduce tap dancers.


Posted in Life on November 20, 2008 by Adam Sapiro


PEOPLE always chant it, and it’s simply accepted as a matter of fact, but it’s bullshit. The U.S.A. is not No. 1. It can’t be. Not when so many people living here are living in hell.

With all the crap that’s happened in our country over the past decade, you really only have to point to one event to prove that America is not the greatest country in the world: Katrina. I’m pissed the whole disaster got politicized, because the red-vs.-blue debate pulled our attention away from a sad truth: There are great numbers of people in this country whose poverty is killing them.

Every week, I see two reminders of this sad truth. I’ve been tutoring two fifth-graders in New Haven, Conn., two boys at a college-prep middle school for inner-city, mostly minority youths. I grew up outside New Haven, and figured it would be a good way for a relatively well-off white guy to give a little back, and to see if teaching was something worth exploring careerwise.

What I expected wasn’t what I got. I figured I’d be tutoring two kids who were struggling with math and reading. Turns out my two 11-year-olds are pretty bright. They both read well, and they both love math (one even declared that he’s a “math nerd” but that he hides it because being smart isn’t cool.) They talk about their college ambitions occasionally, and between lessons they sing and dance. They’re relatively happy kids.

But every week, they remind me of what’s fundamentally wrong with their world, and our world. Every week, without fail, they talk unprovoked about the loved ones they’ve lost to bullets or to prison. A few weeks ago, I showed up for class and one of the boys had more bad news — his cousin had just been shot and killed that week. He was devastated, obviously, and we talked about it for a while. My other student shared his own story — his 14-year-old brother had been shot in the head while riding his bike (somehow, he lived).

Teaching math and reading seemed irrelevant at this point of our session. I momentarily thought of telling them that knowledge and college could be their ticket out of this life of violence, but I stopped myself. Even in my head, that just sounded like patronizing white-guy bullshit — these kids are gonna have to dodge bullets for another seven years before they can get to college, and that’s if they can even afford it.

I asked the two boys — remember, they’re 11 years old — how they could end this cycle of violence. In unison, they answered immediately: “Leave.”

“You shouldn’t have to leave your home to be safe,” I said. But “home” must not mean the same thing to me as it does to them. Not if they fear it, not if they want to run away from it.

This past weekend, the boy whose cousin was shot dead broke my heart a little more. He told me he can’t wait till next year, when he’s old enough to join “the battle” and help get revenge on those who killed his cousin. I’m there to teach math and reading, to keep these kids on the path to college, and he’s talking about “the battle.” That’s the path he envisions for himself, at least for the immediate future. College is an abstract goal, the war is real.

I reminded the boy about how sad he is to have lost his cousin, and that even his cousin’s killers have people who love them and would be heartbroken if they were killed for the sake of revenge. I talked to him about the futility of this self-perpetuating violence.

But what the fuck do I know about this world they live in? I just know that it exists, and it’s hell. And it’s in the same city as Yale University, one of the greatest learning institutions in the world. And it’s a couple towns over from where I grew up alongside beautiful farmland. And it’s in Connecticut, the wealthiest state in the country. And it’s in the U.S.A., one of the greatest nations in the world.

And as long as this hell exists, we don’t get to brag about being No. 1. Not when we should be trying so much harder.


Posted in The Popular with tags , , on November 17, 2008 by Adam Sapiro


I LOVE how movies can take you back to another time and place, I bygone era you might have lived through — or only ever posterheard about.

I just watched one such film and was transported all the way back in time — to the early 2000s. It was “Spider-Man,” a movie that has aged worse than guacamole at a summer picnic.

How can it be? The thing is only six years old — they’re still making sequels — yet it already feels like a relic from another time.

Where do I begin? How ’bout the wrestling scene, Peter Parker’s coming-out party as Spider-Man. It’s the first time we really get to see him in action, and he’s wrestling? With Randy “Macho Man” Savage?? Somewhere offscreen, did Superman spin the world back to the 1980s?

macyThen there’s the scene in Times Square, where folks are celebrating “World Unity Day” or something. Who’s entertaining the crowd? None other than recording artist Macy Gray! No, she’s not singing that one song you kinda remember by her from when she was popular for a few months. It’s some tuneless crap called “My Nutmeg Phantasy” (worst song title ever?). Don’t worry if you forgot that she was in the movie — even she doesn’t remember being in it.

It doesn’t help matters that during the drawn-out Times Square scene, cingular2we see a ginormous, conspicuously product-placed billboard for some old-timey company called Cingular (kids, ask your parents), or that the Green Goblin shows up and wreaks havoc on New Yorkers. (Crime in Times Square? How retro!)

And what’s with all this newspaper stuff throughout this flick. Like, Peter is a photographer for the school paper. Do schools even have school papers anymore? And he’s using a film camera! Dork. Later, he goes to work for the Daily Bugle, a newspaper that’s actually hiring people! Talk about bygone days …

paperAnd I swear, this has to be the last movie to use the spinning-front-page newspaper montage for exposition. Seriously? Newspapers aren’t even how moviegoers get their news anymore.

Another way this superhero flick shows its age? There’s only one villain! You can’t get away with that today: “Batman Begins” and “The Dark Knight” have roughly 35 villains between them. Even last year’s “Spider-Man 3” upped the enemy count. A superhero movie with only one bad guy won’t fly with today’s ADHD audiences.

Right to the end, “Spider-Man” dates itself. The crappy closing credit songs sound even worse than they did in 2002, which is saying something. Nickelback’s Chad Kroeger “sings” “Hero” in that croaking, ’90s Pearl Jammy way, and Sum 41 (that’s the number of minutes they were popular) sound like warmed-over Beastie Boys. Great stuff if you want to clear a theater quickly but don’t want to yell “Fire.”

What about the oft-repeated mantra of the movie, its theme, if you will? “With great power comes great responsibility.” After two terms of George W. Bush, we now know that’s bullshit.

It’s funny — an early trailer for the film prominently (and unfortunately) featured the World Trade Center. Supposedly, the WTC scene was never intended for the final film. But it might as well have been included. “Spider-Man” feels so last century already.